Terminator Salvation is a 2009 American science fiction film written by John Brancato and Michael Ferris and directed by McG. It is the fourth film in the Terminator series, and stars Christian Bale as future Resistance leader John Connor and Sam Worthington as cyborg Marcus Wright. The film also introduces a young Kyle Reese from the original 1984 film, played by Anton Yelchin, as well as depicting the origin of theT-800 Model 101 Terminator. Terminator Salvation, set in 2018, focuses on the war between humanity and Skynet - a departure from the previous installments, which were set on the present day and featured time travel. After a troubled pre-production, with The Halcyon Company acquiring the rights for the franchise from Andrew G. Vajna and Mario Kassar and several writers working on the screenplay, filming began in May 2008 in New Mexico and ran for 77 days. Terminator Salvation was released on May 21, 2009 in the United States, followed by early June releases in the United Kingdom, Australia, New Zealand, and South Africa. In 2003, Dr. Serena Kogan (Helena Bonham Carter) of Cyberdyne Systems convinces death row inmate Marcus Wright (Sam Worthington) to sign his body over for medical research following his execution by lethal injection. One year later, the Skynet system is activated, perceives humans as a threat to its own existence, and eradicates much of humanity in the event known as Judgment Day (see Terminator 3: Rise of the Machines). In 2018, John Connor (Christian Bale) leads an attack by the Resistance on a Skynet base. John discovers human prisoners and the plans for the development of a new type of Terminator incorporating living tissue, but is the only apparent survivor of the attack after the base is destroyed in a nuclear explosion. However, Marcus emerges from the wreckage of the base and proceeds on foot to Los Angeles. John returns to Resistance headquarters located aboard a nuclear submarine and tells General Ashdown (Michael Ironside), the current leader, of his discovery. Meanwhile, the Resistance has discovered a radio frequency capable of shutting down Skynet machines. They plan to launch an offensive against the Skynet base in San Francisco in four days, in response to an intercepted "kill list" indicating that Skynet plans to kill the Resistance's command staff in four days' time. John learns that his own name is second on the list, following Kyle Reese. The Resistance leaders are unaware of Kyle's importance to Skynet, but John knows that it is because Kyle will later become his father (see The Terminator). John meets with his officer Barnes (Common) and wife Kate (Bryce Dallas Howard) and sends radio broadcasts to Resistance members and surviving civilians around the world. Arriving in the ruins of Los Angeles, Marcus is saved from a T-600 Terminator by Kyle Reese (Anton Yelchin) and his mute companion Star (Jadagrace Berry). Kyle relates to Marcus the events of Judgment Day and the ensuing war between humans and machines. Hearing John's radio broadcast, the three leave Los Angeles in search of the Resistance. They survive an attack by machines, but Kyle, Star, and several other humans are taken prisoner, while a pair of Resistance A-10s are shot down. Marcus locates downed pilot Blair Williams (Moon Bloodgood) and they make their way to John's base, but Marcus is wounded by a magnetic land mine. Attempting to save his life, the Resistance fighters discover that he is in fact a cyborg with human organs, a mechanical endoskeleton, circuitry, and a partially artificialcerebral cortex. Marcus believes himself to be human, demanding to be released so that he can save Kyle from Skynet, but John orders his destruction. However, Blair releases him and helps him to escape from the base. During the resulting pursuit Marcus saves John's life from Skynet hydrobots, and the two form an alliance—Marcus will enter Skynet's headquarters and attempt to disable its defenses so that John can rescue Kyle. John demands that Ashdown delay the attack so that he can rescue Kyle and the other prisoners, but Ashdown refuses and relieves John of his command. However, John's soldiers remain loyal to him and he sends a radio broadcast asking the other Resistance fighters not to attack Skynet. Meanwhile, Marcus enters the Skynet base and interfaces with the computer, disabling the perimeter defenses and allowing John to infiltrate the cell block and release the human prisoners. The Resistance's disabling signal is revealed to be a ruse, and the command submarine with the Resistance leaders aboard is destroyed by a Hunter-Killer. Marcus discovers that he was created by Skynet and has unwittingly fulfilled his programmed mission to lure John into the base to be killed. He tears out the hardware linking him to Skynet and leaves to assist John in battling a T-800 model 101 Terminator. John is mortally wounded during the fight, but succeeds in destroying the Skynet base by rigging several Terminator nuclear power cells to an explosive, detonating them as he, Marcus, Kyle, and Star are airlifted out. Kate attempts to save John's life, but his heart is too damaged. Marcus offers his heart fortransplant, sacrificing himself to save John. Recovering, John radios to the other Resistance fighters that though this battle has been won, the war is far from over. In 1999, two years after C2 Pictures purchased the rights to the franchise, two Terminator films' premises were mapped out and were supposed to be developed simultaneously. Tedi Sarafian was hired to write Terminator 3: Rise of the Machines, which he eventually received shared story credit for, while David C. Wilson was to write Terminator 4. Before any revisions were done, T3 initially took place in 2001 and revolved around the first attacks between Skynet and humans. T4 would follow immediately afterwards and centered primarily on the war seen in the first two movies.[34] Warner Bros. gave the film the codename "Project Angel". Following the release of Terminator 3 in 2003, producers Andrew G. Vajna and Mario Kassar contracted Nick Stahl and Claire Danes to return as John Connor and Kate Brewster in another film.[35] Director Jonathan Mostow helped develop the script, written by John Brancato and Michael Ferris, and was set to begin production in 2005 after completing another film. It was known by then Arnold Schwarzenegger's role would be limited, having assumed office as Governor of California. The producers sought to have Warner Bros. finance the picture as they did for Terminator 3.[36] In 2005, Stahl said John and Kate would be recast as the story jumped forward in time.[37] By 2006, Metro-Goldwyn-Mayer, distributor of the original film The Terminator, was set to distribute the fourth film as part of the new CEO Harry Sloan's scheme to make the studio a viable Hollywood player. On May 9, 2007, it was announced that production rights to the Terminator series had passed from the feuding Vajna and Kassar to the Halcyon Company. The producers hoped to start a new trilogy based on the franchise.[38] By July 19, the project was in legal limbo due to a lawsuit between MGM and Halcyon subsidiary T Asset. MGM had an exclusive window of 30 days to negotiate for distribution of the Terminator films. When negotiating for Terminator 4, Halcyon rejected their initial proposal, and MGM suspended negotiations. After the 30 days were over, MGM claimed that the period during which negotiations were suspended did not count and their exclusive period was still open. Halcyon asked a court for an injunction allowing them to approach other distributors.[39] Later, the lawsuit was settled and MGM got a 30-day right of first refusal to finance and distribute the fifth Terminator film.[40] Finally, Warner Bros paid $60 million to acquire the United States distribution rights of Terminator Salvation; Sony Pictures also paid just over $100 million to acquire this film's distribution rights in most international territories.[1] McG signed on to direct as the first two films were among his favorites, and he had even cast Robert Patrick (who played the T-1000) in his films.[41] Though he was initially unsure about "flogging a dead horse,"[3] he felt the post-apocalyptic setting allowed the film to be different enough so to not be an inferior sequel. The idea that events in Terminator 2: Judgment Day andTerminator 3 altered the future also allowed them to be flexible with their presentation of the futuristic world.[42] McG met with the series' co-creator James Cameron, and, although he neither blessed nor cursed the project, Cameron told the new director he had faced a similar challenge when following Ridley Scott's Alien with Aliens.[3] He maintained two elements of the previous films; that John is an outsider to the authorities, and someone of future importance is being protected, and in this film it is Kyle Reese.[43] The first full screenplay for the film was written by Terminator 3 writers John Brancato and Michael Ferris, who received full screenplay credit. Paul Haggis rewrote Brancato and Ferris's script,[44] and Shawn Ryan made another revision three weeks before filming.[45] Jonathan Nolan also wrote on set, which led to McG characterizing his work on the script as the most important;[42] he chose to contribute to the film after Bale signed on and created Connor's arc of becoming a leader.[46] Anthony E. Zuiker contributed to the script as well.[47] So extensive were the rewrites that Alan Dean Foster decided to rewrite the entire novelization after submitting it to his publisher, because the compiled shooting script was very different from the one he was given beforehand.[48] In the early script drafts, John was a secondary character. Producer James Middleton explained "Ben-Hur was influenced by Jesus Christ, but it was his story. Much in that way, this [new main] character will be influenced by John Connor."[50]The original ending was to have John killed, and his image kept alive by the resistance by grafting his skin onto Marcus' cybernetic body.[51][52] However, after the Internet leak, Warner Bros. decided to completely change the entire third act of the film.[53] McG and Nolan did continue the Christ element of John's character though, in which he has some followers who believe what he knows about Skynet, and others who do not.[54] McG described the film's theme as "where you draw the line between machines and humans".[3] The friendship between Marcus — who was executed (for murder) when humanity still ruled the world — and Kyle Reese illustrates how war and suffering can bring out the best in people, such as when they worked together to survive during the Blitz.[49] The title was derived from this second chance given to humanity and to Marcus, in addition to John's efforts to save humanity from the machines.[55] The film's original title was Terminator Salvation: The Future Begins, but this was dropped during filming.[49] Throughout writing, the cast and crew would watch scenes from the three films to pick moments to reference or tribute, including "I'll be back", which is uttered by John in this film. McG found himself having to decide which ideas for references would be included and which would not.[56] An opening scene has John fighting a Terminator on a crashed helicopter, which was storyboarded as a homage to the climax of the original film, where his mother Sarah, having broken her leg, is chased by a crippled Terminator. McG did this to reflect the skills John learned from her.[9] Shooting of the film started on May 5, 2008 in New Mexico.[57] Filming also took place at Kirtland Air Force Base in the state.[58] The filmmakers had originally intended to begin filming on April 15 in Budapest,[59] but a twenty-five percent tax rebate and absence of an interest rate cap and floor made the filmmakers seek the cheaper New Mexico, because of their $200 million budget.[60] To avoid delays caused by a possible 2008 Screen Actors Guild strike in July, all exterior scenes were completed by then, so production could restart easily.[61][62] The shoot ended on July 20, 2008,[27] though some pick-ups took place in January 2009.[63] In addition to Bale breaking his hand and Worthington hurting his back, special effects technician Mike Menardis almost lost his leg filming an explosion. The sequence required a manhole cover being blown into the air, which hit Menardis and partially severed his leg. McG noted it was testament to the gritty style of the film. "I say with respect, I didn't want that Star Warsexperience of everything's a blue screen, tennis balls, and go for it. I had Stan Winston build all the machines. We built all the sets, the explosive power, the explosive power so you feel that wind and that percussion and that heat blowing your eyebrows off. And with that you get a couple bumps and bruises on the way, but you get it in an integrity and a realism that hopefully echoes Apocalypse Now. You couldn't say, 'Let's just shoot Apocalypse Now in Burbank, I think it's going to feel just as good.'"[55] The film used Technicolor's Oz process during post-production. This is a partial silver retention on the interpositive, similar to bleach bypass, which will be used to lend to the sense of detachment from the modern world McG was looking for.[6] Industrial Light & Magic developed shader programs to make the desaturated lighting of the CGI realistic and well-integrated to the on-set footage.[64] The filmmakers consulted with many scientists about the effects of an abandoned world and nuclear winter.[41] McG cited Mad Max 2, the original Star Wars trilogy and Children of Men, as well as the novel The Road, as his visual influences.[3][41] He instructed his cast to read the latter as well as Do Androids Dream of Electric Sheep?[42][27] LikeChildren of Men, McG would storyboard scenes so that it would be edited together to resemble a seamless, continuous shot.[65] It took two weeks to film a two-minute shot of Connor getting caught up in a bombing on the Skynet base where he discovers plans for the T-800.[66] The majority of the machines were designed by Martin Laing, a crew member on Cameron's Titanic and Ghosts of the Abyss.[67] McG described many of the machines as having an H. R. Giger influence.[41] McG's intent was to create a gritty, tactile 2018 on screen, and Laing concurred the robots would have to be black and degraded as none of them are new. Laing devisedAerostats, which are smaller versions of the Aerial Hunter Killers from the previous films. The Aerostats send a signal to the 60-foot-tall humanoid Harvesters. They are very big and slow, so they use Mototerminators to capture humans, and the Harvesters place them in Transporters. Laing was unsure of how to design the Transporters until he saw a cattle transport while driving through Albuquerque. Completing Skynet's domination of air, land and sea is the Hydrobot, which Laing modeled on eels.[49] The film features the rubber-skinned T-600s and T-700s. McG interpreted Kyle Reese's description in the original film of the T-600 as being easy to spot by making them tall and bulky.[3] The Mototerminators' design were inspired on the Ducatimotorcycles.[64] Salvation was one of the last films of Stan Winston, the visual effects supervisor on the first three films, worked on. He died on June 15, 2008 from multiple myeloma,[68] and McG dedicated the film to him, in the end credits.[8] John Rosengrant and Charlie Gibson replaced Winston,[67] and McG commented that they are "trying to achieve something that's never been done before"[69] and will "push the envelope".[70] Motion capture was used to show damage to the Terminator Marcus' face,[43] while a 20 foot tall model was used for the explosion of a 30-story building.[49] During filming, Bale became angry at director of photography Shane Hurlbut, swearing at him and threatening to leave the film; audio of the incident was leaked in February 2009. Bale apologized publicly and said he resolved his differences with Hurlbut, and that when the incident took place they continued to film for a few hours.[71] Danny Elfman began composing the score in January 2009. Beforehand, McG had the idea to hire Gustavo Santaolalla, who he got to speak with, to work on the human themes, while having either Thom Yorke or Jonny Greenwood for Skynet's themes.[33][46] He also wanted to discuss scoring the film with Hans Zimmer, but he was unable to arrange a meeting. However, he managed to meet with The Terminator and Terminator 2 composer Brad Fiedel. McG was not interested in repeating the sounds Fiedel achieved in his films but still wanted Elfman to use those themes and ambient sounds, and give them a "Wagnerian quality".[43] Reprise Records released the soundtrack on May 19, 2009, which includes fifteen tracks. While Common had expressed interest in writing a song for the soundtrack,[72] Alice in Chains' "Rooster" is the only featured song.[73] Although not included in the soundtrack, "You Could Be Mine" by Guns N' Roses, which was featured in Terminator 2: Judgment Day, can be heard briefly in a scene of the film as well. Nine Inch Nails' "The Day The World Went Away" is played on the film's theatrical trailer, but is not included in the film or soundtrack. Soundtrack[73] In March 2009, producer Moritz Borman filed a lawsuit against the Halcyon Company, seeking $160 million. Borman, who had arranged the transfer of the Terminator rights to Halcyon in May 2007, stated the company's two managers Derek Anderson and Victor Kubicek had "hijacked" the production and refused to give him his $2.5 million share of the production. Borman alleged budget overruns were the reasons Anderson and Kubicek did not pay him and that they had $1 million in debt.[74] Nevertheless, an "amicable" resolution was reached a month later.[75] Further complications occured on May 20, 2009 when executive producer Peter D. Graves, who informed Anderson and Kubicek about the Terminator rights, filed a breach-of-contract claim for arbitration, alleging that they owe him $750,000.[1] The film was released in the U.S. on May 21, 2009 with Warner Bros. setting the American premiere on May 14, 2009 at the Grauman's Chinese Theatre in Hollywood.[76] Elsewhere, Sony Pictures Entertainment will release the film in most overseas territories on different dates in June. One exception is Mexico, however, because of the swine flu outbreak in the country, which forced Sony to push the release date to July 31, 2009.[77] It is rated PG-13 by the Motion Picture Association of America for "intense sequences of sci-fi violence, action, and language," unlike the previous R-rated films.[78] The decision was made to rate the film PG-13 after agreeing to cut out a shot of Marcus stabbing a thug with a screwdriver, as McG felt disallowing the young audience due to that one shot was unfair. He also deleted a topless scene for Moon Bloodgood because "It was a soft moment between a man and a woman that was designed to echo the Kelly McGillis/Harrison Ford moment in Witness[but] in the end, it felt more like a gratuitous moment of a girl taking her top off in an action picture, and I didn't want that to convolute the story or the characters."[79] The producers had expected the rating because of the modern leniency towards violence in PG-13 films, such as Live Free or Die Hard.[44] The film's first nationwide U.S. screenings were at 12 A.M. on Thursday, May 21, 2009, making about $3 million from midnight screenings. Within this first day, the film earned about $13.3 million.[80] This opening placed it 20th on the list of all-time Thursday box office grosses in the United States.[81] The movie grossed an additional $42,558,390 on its 4-day Memorial Dayopening weekend and debuted at #2 behind Night at the Museum: Battle of the Smithsonian,[82] performing less than its predecessor domestically but improving by 21% internationally.[83]In the United Kingdom, it had ticket sales of 6.94 million pounds ($11 million), setting the biggest British weekend box office opening.[84] The film's total domestic gross as of June 14, 2009 is at $113,831,000. Along with $99,105,311 from overseas territories, its worldwide gross is currently $212,936,311.[2] Based on 184 reviews collected by Rotten Tomatoes, Terminator Salvation has an overall 33% approval rating from critics, with an average score of 5.1/10.[85] Among Rotten Tomatoes' Top Critics, which consists of popular and notable critics from the top newspapers, websites, television and radio programs,[86] the film holds a similar overall approval rating of 32%.[87] By comparison, Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the film has received an average score of 51, based on 34 reviews.[88] Roger Ebert of the Chicago Sun-Times gave the film a 2 out of 4 stars, saying that "After scrutinizing the film, I offer you my summary of the story: Guy dies, finds himself resurrected, meets others, fights. That lasts for almost two hours."[89] Michael Rechtshaffen of the Hollywood Reporter wrote that the film isn't the same without Arnold Schwarzenegger and that it misses its dramatic element.[90] Likewise, Claudia Puig of USA Today gave the film a 2/4 and called it "predictable" with the "dramatic elements flat-lin[ing]." She noted that Christian Bale's performance was "one-dimensional," but Sam Worthington's and Anton Yelchin's were better.[91] Total Film's review gave the movie 4/5 with its verdict: "The Terminator story recharges with a post-apocalyptic jolt of energy. Frantic and full of welcome ties to the past, it also ploughs new ground with purpose. Fingers crossed McG will follow Cameron’s lead and serve up a worthy sequel..."[92] Pete Hammond of Hollywood.com also gave the film 4 out of 5 stars, writing that "[McG] pulls it off with first-rate action set pieces, flawless production values and a fascinating new wrinkle in Marcus Wright."[93] Devin Faraci of Empire magazine, too, gave a positive rating of four out of five stars, saying: "McG has sparked a moribund franchise back to life, giving fans the post-apocalyptic action they’ve been craving since they first saw a metal foot crush a human skull two decades ago."[94] However, on CHUD, he said "Bale's desire to star as John Connor was probably the most fatal blow to the film; it completely distorted the shape of the story as it existed." Furthermore, he expresses that the third act was when the film began falling apart, saying how "McG and Nolan muddied the end of the picture, delivering action generics (yet another Terminator fight in a factory) while never finding their own hook that would give this movie more of an impact than you would get from an expanded universe novel."[95] Betsy Sharkey of the Los Angeles Times stated that "[Bale's] strengths do not serve him, or the movie, as well here" and that "when the story starts to crumble around Bale, Worthington is there to pick up the pieces."[96] A.O. Scott of the New York Times said the film has "a brute integrity lacking in some of the other seasonal franchise movies" and "efficient, reasonably swift storytelling."[97] Ben Lyons and Ben Mankiewicz gave the film a "See It" and "Skip It," respectively, on their show At the Movies with the latter mentioning that it "is the worst big budget summer release I’ve seen in some time."[98] In addition to the novelization by Alan Dean Foster, a prequel novel titled From the Ashes by Timothy Zahn was released.[99][100] IDW Publishing released a four-issue prequel comic, as well as an adaptation.[101] It follows Connor rallying together the resistance in 2017, as well as examining normal people overcoming their intolerances to defeat Skynet.[102] Playmates Toys, Sideshow Collectibles, Hot Toys, Character Options, and DC Unlimited produced merchandise,[103][104] while Chrysler, Sony, Pizza Hut, and 7-Eleven are among the product placement partners.[105][106]On May 23, 2009, a roller coaster named after the film opened at Six Flags Magic Mountain. [107]. A third-person shooter video game of the same name coincided on the same week of the release of the film.[108] Christian Bale declined to lend his voice, so Gideon Emery lent his voice as John Connor. The game, however, features the voices of Common and Moon Bloodgood as Barnes and Blair Williams, respectively.[109] Despite not appearing in the film, Rose McGowan voiced the character of Angie Salter, an ex-high school teacher.[110] The game is set in 2016, after the events ofTerminator 3: Rise of the Machines and before the events of Terminator Salvation.Terminator Salvation
Teaser posterDirected by McG Produced by Derek Anderson
Victor Kubicek
Jeffrey Silver
Moritz BormanWritten by Screenplay:
John Brancato
Michael Ferris
Characters:
James Cameron
Gale Anne HurdStarring Christian Bale
Sam Worthington
Anton Yelchin
Moon Bloodgood
Bryce Dallas Howard
Common
Jadagrace Berry
Michael Ironside
Helena Bonham CarterMusic by Danny Elfman
Themes:
Brad FiedelCinematography Shane Hurlbut Editing by Conrad Buff Studio The Halcyon Company
Wonderland Sound and VisionDistributed by United States:
Warner Bros.
International:
Columbia PicturesRelease date(s) May 21, 2009 (US)
June 3, 2009 (UK)
June 4, 2009 (Aus/NZ)
June 5, 2009 (South Africa)Running time 115 min. Country United States Language English Budget $200 million[1] Gross revenue $212,936,311 [2] Preceded by Terminator 3: Rise of the Machines [edit]Plot
[edit]Cast
[edit]Production
[edit]Development
[edit]Writing
"You survived the nuclear holocaust and you crawl out of the hole after three-to-five years and say, 'Well, I know what's going on — I'm the one!' Some SAS guy isn't going to say, 'Where do I go, boss?' He'd say, 'Shut the fuck up and get in line.'" — McG on John's struggles to become the leader.[49] [edit]Filming and design
[edit]Music
Terminator Salvation Film score by Danny Elfman Released May 19, 2009 Label Reprise Danny Elfman chronology Wanted
(2008)Terminator Salvation
(2009)[edit]Lawsuit
[edit]Release
[edit]Box office
[edit]
[edit]Tie-ins
[edit]References
Terminator Salvation
Monday, June 15, 2009
Posted by Didit Nurwantoro at 12:51 PM
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